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 Tuesday, August 31, 2010
 Monday, August 30, 2010
2011 Pastels Convention | Save the Date
Posted by anne
Excitement is already building in anticipation of the Ninth Biennial Convention of the International Association of Pastel Societies (IAPS), which will be held in Albuquerque, N.M., next spring, from June 2 to 5. IAPS President Maggie Price informs me that we'll be able to read all the details about the 2011 Convention—and register online!!—beginning tomorrow, September 1 at 9:00 a.m. (eastern) on the IAPS website. Maggie also shared some of the new developments for the 2011 convention, so even if you’ve attended every previous gathering, you'll want to note what's new: First, the pre- and post-convention workshops, together with the opening of the IAPS 18th Juried Exhibition and the first Master Circle Exhibition on June 1, means that the optional events will span an additional four days beyond the conference. Also, there will be more one-day workshops, juried Master Classes, and many other new options at the Convention. Also notable are three Showcase Demonstrations featuring top-name pastel artists whom everyone wants to see. To avoid disappointment when popular demonstrations fill quickly, the Showcase Demonstrations will be in a larger room with audio-visual so more people can attend and everyone will be able to see details of the painting in process on a large screen. These demonstrations will be happening Friday, June 3 and Saturday, June 4. Here are some details:   Albert Handell: Portrait of a Tree Albert will work from start to finish with pastels, explaining in detail the drawing and painting concepts that he incorporates in his pastel paintings of trees. As he proceeds in color, he will explain, paint and demonstrate the importance of the specific local color of trees and the subtle variations of color found throughout the tree. Then with richly colored greens, harmonized by complementary mauves of the same value, he will show you how to paint the summer greenery and foliage of the tree. [ Click here to see more tips and technique with Albert on our website.]  Elizabeth Mowry: Exploring Subtle Nuances of Mist or Haze in Landscape Painting Elizabeth will demonstrate the importance of subtle and gradual value changes to portray the quiet mood of misty or hazy conditions commonly found and encountered in nature. She will illustrate the use of a restricted palette to unify the atmospheric background conditions with additional interest and color in the foreground. [ Click here to read an interview with Elizabeth on our website.]  Richard McKinley—The Three Stages of a Painting Using a canal scene from Oregon as inspiration, Richard will demonstrate his three-stage painting process of "Sensitivity, Serendipity, and Solution." A bold/creative underpainting will set the stage in advance of pastel application. The concepts of compositional design, value relationship, color harmony, atmospheric perspective, focal point, bridging, threading, and setting bookends will be discussed throughout the presentation as the painting unfolds. [ Click here to visit Richard's Pastel Pointers blog.] To learn more about IAPS and the 2011 Convention, visit the IAPS website at http://www.pastelinternational.com. Hope to see you in Albuquerque!
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Overheard | Shows and Events
Monday, August 30, 2010 6:25:54 PM (GMT Daylight Time, UTC+01:00)
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 Friday, August 27, 2010
The Sky's the Limit (in Pastel)
Posted by jessica
It’s not only children who like to lie on grass and look up at the sky; artists retain that sense of enchantment. Pastelist Paul Murray, of Santa Fe, works with color complements to render believable what’s almost not—the piercing light over the desert terrain of New Mexico.
"One problem for me in New Mexico, particularly from fall through spring, is the sky after a storm," he says. "It can be a brilliant blue, which is simply not believable, plus such a color tends to overpower an image. When this happens, I add enough complement to make the sky work for the situation."
Learn how Murray controls the feel of the sky, as well as the techniques of New York artist Donna Levinstone and Cape May, N.J., denizen Stan Sperlak, in this single article download from The Pastel Journal. At $1.99, the price can't be beat. And there's more where that came from—check out other $1.99 single article downloads in our online shop.
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Tips and Techniques
Friday, August 27, 2010 4:45:56 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, August 19, 2010
 Monday, August 16, 2010
Gardens of Art
Posted by anne
 It's no wonder—given the incredible variety of color, form and texture—that flowers are, and long have been, a favorite subject for artistic expression. Think of the Dutch masters. Think Vincent van Gogh. Think Georgia O'Keeffe. Recognizing this somewhat symbiotic relationship between the garden and the artist, Horticulture magazine invited artists to submit their floral paintings for inclusion in the magazine's new 2011 wall calendar. The inspiring result is a collection sure to please artists and gardeners alike. The 13 paintings feature a wide range of media, including pastels by Colleen Paul Hoerner, Kurt Weisner and Julene Baker. If you're interested in a copy, the calendars can be purchased (price is $13.99) here.
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Art Inspiration
Monday, August 16, 2010 6:51:10 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, August 12, 2010
Winslow Homer Commemorative Stamp Released
Posted by jessica
The ninth edition of the United States Postal Service's American Treasures stamp series, released today, features Winslow Homer's 1874 oil painting, Boys in a Pasture (which can be seen at the Museum of Fine Arts, Boston). Homer (1836-1910), considered one of the greatest American painters of the 19th century, also served as an artist-correspondent during the Civil War for Harper’s Weekly magazine.
Said U.S. Postal Service Chief Information Officer/Executive Vice President Ross Philo, “Indeed, it’s been said that Winslow Homer did for the United States what the French Impressionists did for Europe. He showed the beauty of a place and the people who lived there. His body of work continues to shine as a legacy to our great and beautiful nation.”
Find the stamp on the USPS website.
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Overheard
Thursday, August 12, 2010 6:36:56 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, August 04, 2010
3 Tips for Better Pastel Portraits
Posted by jessica
Artist Dan Slapo divulges a few secrets to great pastel portraits:
1. The first color you put down is a guess. It helps if you fill in all the areas of the background surrounding the face before you judge which skin tones are correct. Every time you place a color, it changes the look of the adjoining color. For example, a light area on top of the chin appears lighter than it is because it’s on the bottom of the face where the average values are darker. The light on the chin has to be darker than the highlights on the forehead.
2. The direction of the light hitting the planes of the face determines the value. The pigmentation of some parts of the face nullifies that principle. The round eye socket from the eyebrow to the top of the cheek appears darker than the forehead or cheek because of the many blood vessels close to the skin. The skin on the forehead is thin, just covering bone; it looks cool compared to the fleshy areas of the cheek. Fleshy areas, such as the bottom half of the nose, have warm pigmentation. The top and bottom eyelids are darker than the surrounding flesh. The lips have darker pigmentation than the surrounding flesh. The irises and hair are usually darker than the skin tones.
3. Both sides of the face have similar planes. Divide the face in half vertically. Make the planes on the side opposite the light source darker than the planes facing the light source.
Find six more tips from the artist, as well as pointers on simplifying your palette, in this single article download from The Pastel Journal. At just $1.99, the price can't be beat. And there's more where that came from—check out other $1.99 single Pastel Journal article downloads in our online shop.
What are your go-to tip for painting portraits? We'd love to hear them.
Pictured: Alice (20x16) by Dan Slapo
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Tips and Techniques
Wednesday, August 04, 2010 4:25:56 PM (GMT Daylight Time, UTC+01:00)
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 Monday, August 02, 2010
Richard McKinley and the PSA team up
Posted by sarah.strickley

This news today from the Pastel Society of America (PSA):
We are delighted to host a Richard McKinley workshop during our 38th annual at the National Arts Club where Richard is also being honored as the Hall Of Fame recipient. The dates for the three-day workshop are September 27, 28 and 29th at the PSA-NAC school. McKinley's workshops, which are given all over the U.S. and abroad always fill very quickly. If you're interested, don't delay. Call Cindy at the PSA Office, (212) 533-6931 and leave a message or email psaoffice@pastelsocietyofamerica.org. To see what else McKinley has been up to lately, visit the Pastel Pointers blog.
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Monday, August 02, 2010 8:55:05 PM (GMT Daylight Time, UTC+01:00)
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 Friday, July 30, 2010
 Wednesday, July 28, 2010
The Pastel 100: A Friendly Reminder
Posted by sarah.strickley
For those seeking recognition for their work in pastel, there's no better venue than The Pastel Journal's annual Pastel 100 Competition. If you haven't tested your competitive mettle yet, now might be the year to try. We're offering more than $13,000 in cash prizes and the opportunity to see your work in our special April 2011 issue. Click here for more details. And watch a slide show of last year's fabulous winners above.
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seminars
for fine artists
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&
more
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up for your
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Art Inspiration
Wednesday, July 28, 2010 2:15:26 PM (GMT Daylight Time, UTC+01:00)
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